The Immediate Past
Chief Army Staff in Nigeria, Lieutenant General Azubuike Ihejirika, has sued
an Australian hostage negotiator, Mr Stephen Davies, who accused him of
sponsoring Boko Haram insurgency in the north eastern part of Nigeria. In a libel suit filed at the Abuja
High Court by his team of lawyers, General Ihejirika is demanding 100 billion
Naira as aggravated damages for defamation.
The Retired General, who left military service in January 2014, said that
he has “suffered grievous wrong and has been exposed to scandal, ridicule,
humiliation, character assassination, credit and reputation brought into
disrepute, both within and outside the country, as a result of the libelous
statement in question”. General
Ihejirika is also seeking an order of perpetual injunction restraining Davis or
his agents from further making defamatory comments about him. He also seeks an order compelling Mr
Davies to publish forthwith a dull and unqualified retraction and apology
conspicuously in the front page of a daily newspaper to assuage the plaintiff
for the said false malicious and libelous publication. Meanwhile, he has secured an order of court to serve the process
to Mr Davis, who lives in Perth, Australia, with the court’s processes. Mr Davis was assisting the Nigerian
Government to negotiate with the Boko Haram sect towards securing the release
of some over 200 girls abducted by the terrorist group in April 2014.
Research Interest and expert in Digital Literacy, Capacity Building & Training in online information Search Skills and Researching your topics Using Google Digital Skills & AI, Setting up a Library, Artificial Intelligent (AI) Tools, ChatGPT technology, Bard Google AI, Bing AI, Proposal Writing, Social Media Bootcamp, Online Political blogs, Researching your Political Bills online, Design/Course ware Development
Saturday, 28 February 2015
mavin record nice of Don Jazzy

Michael Collins Ajereh (born 26 November 1982), better known as Don Jazzy, is a Nigerian Multi award-winning record producer, singer-songwriter, musician, former CEO of Nigerian record label Mo' Hits Records founded in 2004 and current CEO of the Mavin Records label which he founded in May 2012 after his split up with childhood friend and Mo'Hits partner, D'banj. Born in Umuahia in Abia state, his first signing was D'banj who was at that time also the Vice-President of the label and now President after split.
Don Jazzy's first full credit production work was in 2004 on Tongolo for Nigerian singer D'banj. He went on to produce D'banj's first studio album titled No Long Thing released in 2005.
He has produced tracks for Dr SID, Wande Coal, D'Prince, Darey, Naeto C, Olakunle Excel et Zanga, Sauce Kid, Ikechukwu & Tiwa Savage. He also collaborated with Jay-Z and Kanye West on the production of Lift Off, featuring Beyoncé on the album Watch The Throne, released on 8 August 2011
SOCIAL MEDIA AND POLITICAL CAMPAIGNS
Since then, the number of
individuals using social media has swelled, and growing with it is the amount
of people who use such venues to publicize their political views. From tweets
and Facebook updates to YouTube videos and petitions, social media has become a
power tool not only for official campaign teams but also for supporters. To
better understand how political campaigns are affected by social media, we
spoke to some key players with experience in this realm. Sherri Greenberg is
the Director of the Center for Politics and Governance at the LBJ School of
Public Affairs at the University of Texas at Austin. Her research produced a 2012 study examining the influence of social media on Congressional
campaigns.
David Cascino is the founder of “Thunderclap”, a platform
that allows social media users to recruit followers to join campaigns — to
amplify a single message to each of their followers at once. Finally, we also
heard from former Tampa Bay, Florida, City Councilman and State Representative
Rick Kriseman. Here’s what they had to say. If there is anything recent
elections have proven, it’s that reaching out to voters online is not only
important, it’s essential. The first notable use of social media to rally the
voting community was during the 2008 Presidential election, when the Obama
campaign took to the web to draw out the young vote. According to research by
the Pew Foundation, 83 percent of 18-24 year-olds had social networking accounts in 2008,
and two-thirds of those used those sites for political activity at that time.
Since then, the number of individuals using social
media has swelled, and growing with it is the amount of people who use such
venues to publicize their political views. From tweets and Facebook updates to
YouTube videos and petitions, social media has become a power tool not only for
official campaign teams but also for supporters. To better understand how
political campaigns are affected by social media, we spoke to some key players
with experience in this realm. Sherri Greenberg is the Director of the Center
for Politics and Governance at the LBJ School of Public Affairs at the
University of Texas at Austin. Her research produced a 2012 study examining the influence of social media on Congressional
campaigns.
David Cascino is the founder of “Thunderclap”, a platform
that allows social media users to recruit followers to join campaigns — to
amplify a single message to each of their followers at once. Finally, we also
heard from former Tampa Bay, Florida, City Councilman and State Representative
Rick Kriseman. Here’s what they had to say. The hallmark of a healthy democracy
is the participation in government of its citizens. Some would argue that
social media has improved the state of our democracy, by providing a platform
through which people can communicate about, and with, the members of our
government. But since this media places all individuals on a level playing
field, authenticity and genuine conversation have become paramount.
“Social media is playing an increasingly important
role in the way campaigns are run and how elected officials govern. It allows
candidates and officeholders to not only communicate more effectively to a
larger audience, but it creates a two-way street for constituents to respond
and interact with leaders,” Rep. Kriseman says. “This dynamic exchange of
information and ideas makes for a healthier and more participative democracy.” Due
to this free flow of information, Greenberg says maintaining an honest voice is
perhaps even more important than in traditional media campaigns. Whereas seeing
a candidate on TV creates distance between the viewer and the subject, reading
messages in one’s Twitter or Facebook stream, nestled amongst posts from
friends and colleagues, creates a level of intimacy that is distinct from other
media.
In 2010, the Obama campaign used
Cascino’s Thunderclap application three separate times, leveraging its
influence to lead thousands of followers to join the campaign. In each of these
instances, social media followers would opt-in to support the campaign on
Twitter. At a predetermined time, the campaign would send an identical tweet
from every individual account that signed on. That way, a single tweet was
amplified across thousands of users, broadcasting to each of their followers. “It
was really authentic, it wasn’t ‘Go Obama!’, it was about the importance of
people participating in government,” Cascino says. “For any campaign, the key
is really having an authentic message that’s not overly self-promotional. It
has to be about what people care about.”
Though social media has
certainly changed the face of political campaigns, it has not replaced other
traditional forms of communication. “It’s additive,” says Greenberg. What she
means is that having a social media campaign does not mean politicians can
forego television and radio commercials. Greenberg also emphasizes that in-person
rallies and town halls are an essential component of campaigns and that these
venues won’t go away just because people spend more time online. That said, the
issue of money often poses problems for smaller campaigns or new candidates
running against incumbents. Sometimes those new to the scene cannot raise the
funds necessary to produce and run expensive television ads. “If you don’t have
the money to do TV and you’re in a major TV market, and you simply can’t raise
the money,” Greenberg says, “what you can do is YouTube.”
When a candidate is unable to
amass reach using traditional media, smart social media campaigns can make up
lost ground. Using Thunderclap, for example, a politician could use other
individuals with large social followings to share a YouTube video that serves
as his or her campaign ad. “Getting key influencers, people who support them,
to back their Thunderclap creates a social proof where it’s not just them
promoting themselves,” Cascino says. Politicians know that in-person support lends
credibility to their campaigns. A packed town hall, for example, holds much
more cache than a poorly-attended rally, and adds weight to that person’s
clout. People may perceive that if a candidate can draw such large crowds, he
or she must be worth following. The same holds true for social media, except
online, it’s about more than having a lot of followers — it’s about getting
them to amplify the campaign’s message as well.
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